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We’ve updated our Terms of Use. You can review the changes here.

BlackNoiseMachine

by Molly Noise

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lushokitty91
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lushokitty91 I love it simple because of the many emotions each track evokes and sound wise it's so refreshing to listen to 💙💜💙 Favorite track: You, Me, and the Void.
dank28
dank28 thumbnail
dank28 Sometimes tranquil and pensive, sometimes noisy and aggressive, always good. It was hard to choose a favorite track.

I'm looking forward to future releases! Favorite track: Vex and Silence.
conor1977
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conor1977 I love this album. It's moody and energetic at the same time, and I can't stop listening to it. I'm in love with the world this music sounds like it takes place in. Favorite track: Vex and Silence.
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1.
Pain Speaks 06:06
2.
AATESS 02:15
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Sacrifice 03:40
7.
All Lost 05:32

about

Sadgirl Electronica music for people who want to kick violently forward into the face of life, composed in several states of mind but only one pyhsical state. 0% of your RDA of Riboflavin, 69% of your RDA for Bass and over 200% of your RDA of Noisy Dissonance. Fit for Vegans, Small children, but possibly not the elderly. Does not go better with coke, do not serve with a side-salad : a clear faux pas that those at your social gathering will ostracise you for. Not to be taken internally, but rather Eternally (put it on shuffle+repeat). Never needs ironing. Buy now and get a vague sense of unease for free!. Follow me on twitter for updates on how to assemble your feelings after digesting the album. Will make you a better lover but worse dancer. If not completely satisfied you are enlightened to the reality that satisfaction is a fleeting state and cannot be permanent or complete.

credits

released January 5, 2018

Grotesque Noises and Digital mutations by Molly.Noise, some samples kindly donated by Alec (Hi! yeah, you get credited!) No musical instruments were harmed in the making of this Album.

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all rights reserved

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about

Molly Noise Dublin, Ireland

Sadgirl, Likes noise, mixes weird, definitely has odd tastes in regards to rhythm instruments, never met a wall of distortion she didn't want to befriend. Playing at the edges of the acceptable.

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